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While their parents worked in their studio, Jeannie and her sister played on the beach with the children of other artists and writers. "Dad's theory was that this was better than camp," she says. Motherwell, 52, was raised in a world where creativity and psychoanalysis were part of her daily routine. "We'd talk about our dreams every morning," she says. "Then, Helen and Dad would ask us to write something and make a drawing out of it. We had no coloring books; nothing was premade. We were asked at an early age to think about our thoughts and emotions." A seminal moment in her artistic development occurred when Motherwell moved to Provincetown full-time in the late 1970s, when she was in her 20s. As she was riding her bike through town, a local fisherman waved and asked her to join him for a drink. "He pulled a wad of $100 bills from his pocket and said, 'I have all this money and I can't give it away,' " Motherwell remembers. The next day his boat the Patricia Marie, sank. All that was found was his wallet. Filled with emotion and a sense of loss to the community, Motherwell began a series of abstract paintings and collages of draggers (fishing vessels), which were bought by both local fishermen and art collectors. "It was my first sense of finding my identity in painting," she says. In the past decade, she's used collage, digital photography, painting, and text to create complex, subtle works that evoke the Cape's Province Lands. The images straddle abstraction and reality. She now lives in Cambridge, Massachusetts, but returns to Provincetown every summer to exhibit her work and find new inspiration. When asked if it's hard to follow in her parents' larger-than-life footsteps, she smiles. "My audience is different than Dad and Helen's," she says. "It took me a while to realize I'm not trying to change the world with art; I'm trying to use what I know to make good pictures." |
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